• They went the extra mile and exceeded our expectation and those of our families.
    -Martha Lovell - Bride, March 2001

  • We are thrilled with our beautiful video and will cherish it forever.

    -Renee Reeves - Bride, April 2002

  • They have a keen eye out for what would mean the most to the bride and groom and their families.

    -Terry Debski Mother of Bride, May 2007

  • We highly recommend Three Ring Media for any special occasion you wish to treasure forever.
    -Kathy Wood, Bride, November 2001

  • If you choose Three Ring Media, you can relax and know you that your video is in good hands and you will end up with a prized possession.

    -Terry Debski Mother of Groom, May 2006

#2 - Watch the Entire Wedding Video
A Bride's Guide to the Perfect Wedding Video - Section 7 - Video Formats
HDV, DV, HD, SD, 16:9, BLT... There are a myriad of confusing video acronyms out there, and the technology changes so rapidly it's hard to say on top of it all. Below is a list of things you want to make sure your wedding videographer has in order to give you the highest picture quality that will last beyond today's analog television sets. Instead of going into what everything means, just make sure your videographer has: 
  • Cameras with 3CCD's. Three microchip cameras produce superior color reproduction and are generally found only on professional cameras, so it weeds out the wannabes.
  • The ability to shoot in 1080p at 24FPS. Whew, that was a mouthful. The 1080p means that you are getting the highest quality video that is available today, and the 24FPS means that it uses a frame rate that is the same as a Hollywood film. Meaning your day will look more like While You Were Sleeping than your favorite Spanish soap opera. (Come on we've all watched them...)
  • The ability to shoot in widescreen, sometimes called 16:9, this shooting method will make sure that your video will fit on the new widescreen televisions today, and be protected for the future.
  • Doesn't shoot in the HDV format. The truth is that HDV was never designed to be a professional format. You will see blocks on the screen if something moves too quickly across the frame, and the color reproduction is half of your television's capabilities. Instead, look for a videographer shooting a professional High Definition format such as XDCAM or better yet the DVCPro HD format.
 
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